CV

ART PRACTICE

Juried Solo Exhibtion

January 2025    Craig Gallery at Alderny Landing, case exhibition: more-than-human (Dartmouth, NS)

International Juried Group Exhibition

Oct 2025 Ecologies of Consent: Bodies and Boarders (The 109 Gallery, Chickamauga, Georgia, USA); work: Nothing exists alone (ceramic and mixed media sculpture)

Juried Group Exhibition

Oct 2025 – July 2026 Wandering through Trees (Chester Art Centre, ArtsPlace Gallery in Annapolis Royal, and Ross Farm Museum; work: Fruiting bodies (ceramic sculpture);

Nov 2025 – Jan 2026 Ecologies of Consent: Bodies and Borders (The 109 Gallery, Chichamauga, GA); work: Nothing exists alone (installation with ceramic and mixed media)

April 2025 Held in Fire (NSCAD University; Halifax); work: Chosen Plant (ceramic sculpture)

November 2024    Triumphs in Clay (Ice House Gallery, Tatamagouche, NS); works (2 ceramic sculptures): Fruiting Bodies and Communicator

October 2024    Nocturne: Microcosm (Halifax, NS); work: Halifax Harbor: Beneath the Surface (mixed-media projection featuring watercolour paintings)

June 2024    Art@VB: Colours (Victoria Beach, MB); works: Cherry Barb (9’’x12’’ watercolour painting), and Neon Tetra (9’’x12’’ watercolour painting)

Other Group Exhibitions

2025    Dalhousie Art Gallery: 70th Student, Staff, Faculty, and Alumni Exhibition (Halifax); works: Garbage dump of the future…hopefully. (ceramic installation) and Stanley (ceramic sculpture)

2024    Dalhousie Art Gallery: 69th Student, Staff, Faculty, and Alumni Exhibition (Halifax); works: The Two Foxes Within (installation) and Fissured (wall hanging ceramic sculpture)

2024     NSCAD University: Amalgamate (Halifax); work: Released (ceramic sculpture, 30cmx32cm)

2023    Dalhousie Art Gallery: 68th Student, Staff, Faculty, and Alumni Exhibition (Halifax); works (paintings): School of Mackerel (12’’x16’’), Cherry Barb (9’’x12’’), and Neon Tetra (9’’x12’’)

Residencies

2024    Watershed Centre for Ceramic Arts, Maine; selected to participate in the Embodied Perception summer residency

Grants

2025 – Canada Council for the Arts, Explore and Create grant

Media

CTV News Atlantic: Creativity flows at Dal Art Gallery

The Coast: Catch 57 artists and 100 works at latest Dal Art Gallery show

Dal News: Gallery show reveals artistic spirit of Dal and King’s communities

Dal News: Midnight masterpieces: Dal’s creative connections at Nocturne

Collectives

2022 – Present: Sustainable Nunatsiavut Futures Arts Collective; Role: Co-Lead (co-coordianted artist-in-residence program, mentorship series, co-curating exhibition and catalogue)

Education

2023 – Present   Visual Arts Certificate In-Studio – General Practice, NSCAD University

2022 Anna Leonowens Certificate in Gallery and Studio Management, NSCAD University

2016 PhD in Natural Resource and Environmental Management, University of Manitoba

Additional Training (Courses and Workshops)

2025 La Meridiana International School of Ceramics in Tuscany, Italy: The Domestic and the Wild (building large aminal figurative sculpture evoking human emotion with armatures) with Beth Cavener

2024       Tim Isaac Studio, New Brunswick: Raku Firing

2024       Pocosin School of Fine Craft, USA: Building Birds in Fligjt with Sarah Conti; Creating Colors & Decorating with Terra Sigillatas with Rhonda Willers, and Hand-Building Bone Dry with Tyler Quintin

2023       Estudio Paloma, San Miguel de Allende, Mexico: The Figure in Clay with Cristina Córdova

2023       Art Lab, Parrsboro: Exploring Clay in the Natural World with Janet Doble

2023       Adrian Arleo Studio, USA: Animal Imagery in Clay and Wax Encaustic Surface Techniques

2022/2023     Berlin Art Institute: The Paradox of Art and Labour with Adrian Melis (2022); Floral Time: How Artists Describe Plants with Joseph Walsh (2023); Towards a World Ship: Understanding the Ecological Crisis through Arts with Dorine van Meel (2023)

2022       NSCAD Extended Studies, Halifax: Handbuilding

2020-2022        Several online courses on watercolour technique

2011       Winnipeg Film Group: Introduction to Film Making

2009       PrairieView School of Photography, Winnipeg: Essential Skills in Photography

Memberships

Member – Women Eco Artists Dialogue (WEAD)

Member – Visual Arts Nova Scotia

Member – Nova Scotia Pottery Guild

Art Features in Publications

2011     Branch Magazine: Appetite for life (acrylic and collage on canvas)

Professional Experience

2010-Present

Product illustration – over 400 online sales of products with my artwork/illustrations

2009-2015       

Concept Illustrator – Centre for Community-Based Resource Management (CBRM), University of Manitoba

CURATORIAL WORK

Professional Art Exhibitions

2022-2024       

Worried Earth: Eco-Anxiety and Entangled Grief

Gallery 1C03, Winnipeg (2022)

NSCAD Port Loggia Gallery (2023)

Art Gallery of Grande Prairie (2024)

Role: Nominated Principal Investigator and Assistant Curator

Features in Publications

2023    Galleries West: Worried Earth: Eco-Anxiety and Entangled Grief Exhibit at Gallery 1C03; Role: Assistant Curator

2023     Border Crossings (March issue): Review of Worried Earth: Eco-Anxiety and Entangled Grief Exhibit at Gallery 1C03, Winnipeg 2023. Role: Assistant Curator

2010     Kenora Daily Miner & News: “Artists’ project takes shape at Tunnel Island” and “Common Ground art mosaic unveiled”: Role: art project coordinator/facilitator

Arts-Writing/Editorial Work

2023  Article – John Macnab’s The Centre Holds at Studio 21, Billie Magazine

2023  Exhibition EssayTo dance among rising waters: Graeme Patterson’s Strange Birds

2010  Guest Editor – BRANCH Magazine, Issue 9 (2012): What’s your story?  – National online magazine devoted to exploring the rifts and overlaps of visual and literary arts. Conducted interviews and wrote articles about artists Miriam Rudolph, Holly Ann Friesen, and Joy Parsons.

Committees

2024 – Present: Dalhousie Art Gallery Acquisitions Committee

Panels

2024 – Invited panelist for discussion on Graeme Patterson’s Strange Birds, Dalhousie Art Gallery

ARTS-BASED RESEARCH/ACADEMIC WORK

Current Position/Institutional Affiliation

2018-Present

Associate Professor – School for Resource and Environmental Studies, Dalhousie University; Community-Engaged CoLab (my lab), http://www.communityengagedcolab.ca/

Role/Projects

2020 – Present: Nominated Principal Investigator for the Worried Earth Project (focus on the expression and processing of ecological grief through the arts and other modalities)

2020 – Present: Principal Investigator and Co-Organizer/Member of the Sustainable Nunatsiavut Futures Arts Collective and Inuit Artist-In-Residence Program (provided residencies for 7 Nunatsiavut land claims agreement beneficiaries)

Consulting

2013     Exhibition/Artifact Researcher – Canadian Museum for Human Rights

Education

2016    PhD, University of Manitoba (Natural Resources and Environmental Management)

2010    Master’s, University of Manitoba (Natural Resource Management)

2007    BSc. (Biology Honours), The University of Winnipeg

Additional (Arts-Related) Training

2017       Association of Manitoba Museums: Museums and the Community

2016       Cornell-Atkinson Centre: Media for Nature Conservation

2013       Manitoba Archeological Society: Traditional Land Teachings and Ways of Life of Anishinaabe peoples

Arts-Based Research Exhibitions

2023-2024        Worried Earth: Youth Climate Activists’ Photos and Narratives Reflecting on Climate Change. Dalhousie Art Gallery/Butterfly Garden, Role: Lead curator

2016                 A Day in the Life of a Young Person with Anxiety, Health Sciences Centre, University of Manitoba, Role: Curator.

2011                 Caring for Country, St. Paul’s College Bldg., University of Manitoba

2010                 Finding Common Ground through Creativity, Lake of the Woods Discovery Centre, Kenora, Ontario

Distinctions & Awards

2020    President’s Research Excellence/Legacy Award – Emerging Investigator, Dalhousie University

2019    Faculty of Management Rising Research Star, Dalhousie University

2010    Honorable Mention, International Photography Awards for “Goodbye to Trees” in the Editorial photography category

2009    Best Poster Award and People’s Choice Award at the People & Places International Conference for “Caring for Country through Participatory Art: an emerging method for exploring regional values and aspirations”

Selected Bibliography/Peer-Reviewed Research Articles

Zurba, M. (2022). Boundary work as a concept and practice in human geography: introduction to special issue. Journal of Cultural Geography. [boundary work includes arts-based research]

Sorensen Kass, J., Duinker, P., Schmidt, M. and M. Zurba. (2021). Testing a novel human-nature connection model with Halifax’s urban forest using a text-messaging engagement strategy. Urban Forestry & Urban Greening, 65, 127350. [conceptual/technological artistic elements]

Zurba, M., Maclean, K., Woodward, E. and Islam, D. (2019). Amplifying Indigenous community participation in place-based research through boundary work. Progress in Human Geography, 43(6), 1020-1043.

Islam, D., Zurba, M., Rogalski, A. and Berkes, F. (2017). Engaging Indigenous youth to revitalize Cree culture through participatory education. Diaspora, Indigenous and Minority Education, 11(3), 124-138. [article featuring high school art project on food security for Norway House Cree Nation]

Woodgate, R. L., Zurba, M. and Tennent, P. (2017). A day in the life of a young person with anxiety: arts-based boundary objects used to communicate the results of health research. Forum Qualitative Sozialforschung/Forum: Qualitative Social Research, 18(3), Art. 17.

Woodgate, R. L., Zurba, M. and Tennent, P. (2017). Worth a thousand words? Advantages, challenges and opportunities in working with photovoice as a qualitative method with youth and their families. Forum Qualitative Sozialforschung/Forum: Qualitative Social Research, 18(1), Art. 2.

Zurba, M. and Friesen, H. A. (2014). Finding Common Ground through Creativity: exploring Anishinaabe, settler and Métis connections, values and aspirations for the land. International Journal of Conflict & Reconciliation, 2(1), 1-34.

Zurba, M. and Berkes, F. (2014). Caring for country through participatory art: Creating a boundary object for communicating Indigenous knowledge and values. Local Environment, 19(8), 821-836.

Selected Grant

2020    New Frontiers in Research Fund – Exploration Grant; Role: Nominated Principal Investigator

Creating vocabularies and rituals for climate grief through multiple knowledge systems and the artistic process; $249,955        

Selected Conference Proceeding

International Association for Society and Natural Resources Conference. June 20-24, 2021. Zurba, M., et al. “Creating vocabularies and rituals for climate grief through multiple knowledge systems and the artistic practice.”